Leon Russell “Leon Russell”

On my copy, the Shelter Records logo is blocked out with a black bar, why? I asked the Professor and was informed that it’s because the logo resembled the “Superman” “S” —so there was a lawsuit. Which strikes me as ridiculous, unless they were claiming Superman sang on the records—and as we all know, the Man of Steel sucks as a musician. You know who doesn’t? Leon Russell. Anyway, it turns out that that black bar makes this a rare record—looks like it’s worth a million bucks. You know who doesn’t look like a million bucks? Leon Russell. The picture of him on the cover looks like it’s maybe from 1870, not 1970 (year of this release). He tops that considerably in the small picture on the back, smoking, and wearing a dented top hat. The rings around his eyes look like craters of the Moon. Well, frankly, he looks like a zombie—except for his expression, which is plaintive, if you ask me. All songs written, or cowritten by him. “A Song for You,” pretty much just piano and singing, is a perfect song. Then we rock out a bit. “Hummingbird” is nice. “Delta Lady,” a classic. “Pisces Apple Lady” is one you can move to. Plus, that title. “Roll Away the Stone,” another stone classic. There are no musician credits anywhere in sight, but he “dedicates” the record to quite a stellar posse—were they who played on this fine outing? It’s a list that could comprise a band and half, to say the least. Do I especially like Leon Russell because of his last name, that reminds me of me? Or because of his first name, that reminds me of Leon? Or because it’s not even his real name? —which is: The Master of Space and Time. Or because he’s a one-of-a-kind recording artist? All answers are correct.

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