The Mad Scientists’ Club

The Mad Scientists’ Club by Bertrand R. Brinley (1965) I first read this when I was in grade school, no doubt—it’s one of those Scholastic Book Services book club paperbacks that you could order—it cost 50 cents. It’s got an excellent full color cover and kind of messy, cartoon-like illustrations by Charles Geer that really make the book. I also have the sequel, and I think there were a couple more. It’s about seven boys in a small town who have an organized club where they put together capers—everything from sophomoric pranks to a rescue operation for a downed Air Force pilot. There are seven stories—some of them pretty extensive and brain-twisting, like the one about an alleged dinosaur egg. Among the most lighthearted capers are creating a fake sea monster and haunting a house. The club is not that popular with the authority figures in town. Their operations all involve some pretty technical science and knowhow, but they’re all a lot of fun. I was inspired to reread the book at this time, remembering the narrative structure as a possible model for something I’m writing. It’s from the viewpoint of a first person narrator—a member of the club whose name you only get in passing. He’s smart and competent—and the least eccentric character—but always a little bit in the shadows. Reading this, I thought of The Secret History (1992), which has a similar first-person narrator who is somewhat invisible—and the observer of a tightknit group of eccentric Greek students whose most brilliant member is named Henry, same as the boy-genius here. Their personalities are even notably similar. I wonder if anyone’s ever noticed this—or if I’m just imagining things—but Donna Tartt would have been the right age to read this book. Well… if I ever run into her in the hotel bar, it’s the one thing (besides when’s the next book) I’d like to ask her.

Jacket Weather

Jacket Weather by Mike DeCapite (2021) Jacket Weather, a novel, is by Mike DeCapite, about a guy named Michael who you might assume is the author—if it was called “a memoir”—you certainly would—and be just as right, and just as wrong. Of course, the distinction between “fiction” and “non-fiction” is unnecessary—and especially unnecessary for a book like this, which is a poetic, highly charged, yet relaxed depiction of a relationship (discovery, anxiety, maturity, love) that we have to believe is real. You get to know the narrator, Michael, and a woman, June, who he has reconnected with, and then you follow their relationship while getting to know the geography, the times, and the quirky characters around them. So much did I believe it all, if I was to read, now, that it was all made up, I wouldn’t believe that it was all made up. Part of why it’s so convincing is that the structure feels so organic—in fact, I didn’t detect a structure at all, at first. Every once in a while you’ll come to a break—feeling like some time has passed. What I didn’t realize until later is that these breaks denote seasonal change—moving forward toward winter, and starting around… I just now got this… June. But time otherwise jumps around over any number of the years of this relationship. Within this structure, then, the book is made up of smaller segments—anywhere from a few words to a few pages—so it always feels like you’re moving, seeing things, hearing things—either from the characters or on your own. New York City is the undeniable setting—as important to the book as anything. Based on cultural references, you get a rough idea of the years covered—and I was able to feel like I was close in age to Michael and June. Because I also lived in NYC, moved away, and moved back, I felt a particular closeness to the details—but I think anyone who observes the world around them will see themselves in this setting. And anyone who has a heart will see themselves in this story.

Chronicles – Volume One

Chronicles – Volume One by Bob Dylan (2004) I recently heard that Bob Dylan has a new book, and I just finished this one—that didn’t take him long. Except that this one came out in 2004—and I’d been meaning to read it for years. It was my reading room book for the past several—well, as long as it took me. Reading room—that means, on the toilet, in case you don’t know. I wonder if Bob would appreciate that? From the impression I get of him from reading this book, I’d guess he would. He comes across like a human being, an interesting, quirky guy with a good sense of humor. You can even forget for a while all the legendary rockstar nonsense and read the book like you’re getting some really good stories from an eccentric friend who’s had some adventures. I like his writing style—it feels like it was important for him to enjoy writing it. The book is divided up into five “books”—each with a title, and a particular moment in time and place where Dylan experienced some defining series of events shared with particular acquaintances that were crucial to him. That is, it doesn’t plod through time and events like a traditional biographical depiction—but jumps around and feels fresh. He talks a lot about other people who he has admired and were influential to him—some who he knew and some he didn’t—but it’s worth taking notes, sometimes, and looking some of the names up later—there’s a lot to discover. I’m wondering if his new book is along these lines—if so, I’ll be interested. And if there’s ever a Chronicles Volume Two, I might check that out, as well.

The Mysterious Half Cat

The Mysterious Half Cat by Margaret Sutton (1936) This was the first Judy Bolton title I read, a number of years back—so it’s the book that got me excited about the Judy Bolton series. Re-reading it now really points out how much you gain by reading them in order—there are a lot of characters who appear from book to book, and it helps to have the background. This is a good story involving Judy’s friend Scottie—and her sister, Carol, who has some kind of illness that keeps her from speaking. As usual, Judy gets into hot water with everyone before finally making the bold move to solve the mystery, based on her powers of deduction, and following her instincts. I was impressed, going back to this book, by some mature and complex ideas. There’s a lot of stuff about dreams, and at one point Judy suspects: “…the old man’s dreams, like many other person’s, were only half remembered and the rest reconstructed from the imagination after he was awake.” That’s a concept you might be hearing for the first time, regardless of your age. I also like the overarching theme about the corrupting nature of wealth, from the miser’s hoarding and paranoia—to his shame, after being robbed of his treasures, and his inability to ask for help. These books aren’t merely adventures and mysteries, they also contain a bit of social commentary, for sure. Plus, Judy’s cat, Blackberry, also plays a significant role in this story, which could almost be goofy at one point, and sentimental at another, but because it’s Blackberry that’s all okay because we love Blackberry!

The Man Who Fell to Earth

The Man Who Fell to Earth by Walter Tevis (1963) I was watching The Hustler (1961) for the hundredth time when it occurred to me, it might be my favorite movie. It’s more about alcoholism, and countless other things, even, than pool or gambling, and as sad as it is, I never get tired of it. I wonder who wrote it, I thought—and I hadn’t realized it’s adapted from Walter Tevis’ novel—and I was always meaning to read something by him, so I decided to check out The Man Who Fell to Earth (I never saw the film, or films, based on it, or TV series). So, this book was somewhat of a surprise, in that it’s a really low-key, believable space alien story. I really like how he limits the scope to a few characters, and to a few episodes that are separated by stretches of time—so it’s a succinct, but full, depiction of the extraterrestrial’s journey. I also like how the few characters represented in this saga aren’t just the wealthy, powerful, and brilliant—but normal people, with their weaknesses, failings, and loneliness. I guess I can say the book surprised me—in the extent that it differs from the other extraterrestrial stories I’ve read and seen in movies and TV shows. On the other hand, it felt familiar and connected with life observations and experience. It’s more about alcoholism, and countless other things, even, than speculative science and space travel and other worlds.

Rupert Piper and Megan, the Valuable Girl

Rupert Piper and Megan, the Valuable Girl by Ethelyn M. Parkinson (1972). The fifth or so Rupert Piper book—and my favorite so far. All Ethelyn M. Parkinson books are a little weird—which is why I like them so much—but this one gets a little weirder yet, and more involved, as well. It’s basically a small-town comedy with Rupert Piper and his close friends, four other guys, at the center. The overarching story is that they have reason to believe a Hollywood scout might be visiting in order to find a “typical” American small town for a movie production. Naturally, this has everyone in town acting crazy all summer—suspecting that every newcomer is the talent scout. Meanwhile, there’s a new kid, a girl their age, Megan, who is possibly moving there with her father (her mother has passed away). The boys’ mothers put pressure on them to befriend the new girl, and they soon find out she has a special skill—an advanced intuition that makes her more perceptive than the boys, or any of the adults, really. It’s fascinating when she explains how she developed the skill—and it’s implied that it came about as a kind of coping mechanism for a life that’s been somewhat challenging. So, this setup takes us through the whole book—with lots of pretty intense adventures—it even includes a tornado, and other things I won’t give away. As with all of Ethelyn M. Parkinson books, the real charm lies in the details, the odd references, and her singular sense of humor—all of which only gets better as you read more of her books. There is no one else like her—I mean, in the details, the tone, and the particular charm and odd humor that is her own. She remains my favorite children’s author—and I still have a few of her books to read.

The Secret History

The Secret History by Donna Tartt (1992) I wanted to read this book for a long time—finally read it, and it was just as fun and maddening as I thought it would be. Maddening, in that, stories about people who are college-age are hard to stomach, for me—especially when they’re brilliant and rich, like these kids—as well as having committed crimes. Well, I don’t easily look at myself at that age, but it helps that I was somewhat average. The book is actually more fun than I anticipated—I figured it would be a “page turner,” from reading other Donna Tartt—but I loved the portrait of a New England college town and rarified academic program. Also interesting is that the narrator is such an outsider—from across the country, and an entirely different social class—which is perfect for identification with the reader. It’s no secret that one of the kids is killed (it’s in the first line of the book), but as you’re reading it, this character, Bunny, is so well-drawn—as maybe the most annoying person of all time—that I found myself saying, “Let me kill the guy myself!” To say the least, you’re implicated. The character of Henry, kind of the hero, in a way (and I’m sure beloved by a certain, naïve, young reader), was a lot harder for me to take—I mean, I really liked him, too, but I eventually mutinied. Another thing I thought was funny—it seemed like Donna Tartt didn’t want the book to end, or to say goodbye to her characters—maybe understandable since she was in her twenties when she wrote it. It occurred to me at one point that she may have been influenced by the “Mad Scientists’ Club” books, but I have not read this, among lists of her influences. I wonder what ever happened to the movie version? I could have cast it really well back in the Nineties, but now, I don’t know. It’ll probably be a “limited series” instead (which would be good and bad)—but if it happens, I would highly recommend reading the book first.

What Happened at Midnight

What Happened at Midnight by Franklin W. Dixon (1967) Since this may be my favorite of all Hardy Boy books, for fun I re-read the re-write (which I had read as a kid) just to see how much it changed from the original text, which I recently read. Also, the later version has one of my favorite covers. It turns out the masked thug, on the cover, with the anchor is “Anchor Pete”—a rough customer. I lost count of all the physical altercations in this book—toward the end it gets quite ridiculous. One of the Hardys is knocked unconscious twice in this book—so many head injuries! It’s got some great parts, like when Frank puts on a disguise (really good illustration), and there’s the master criminal, Taffy Marr. The best part (as in the original) is the Hardys’ trip to New York, which is full of mishaps and confrontations. At one point they even pursue a guy into a subway tunnel and are almost killed by a train! (Kids? Don’t even remotely consider this!) I think that bit is missing from the original. But overall, this book is a really good illustration of how some of the books were revised. (Well, some aren’t revised too much, and some share only the title with the original.) When the books were revised, they were streamlined and shortened, and in some cases, some of the oddball, humorous, and sometimes downright weird details were removed. You still have the dull predictability (which is to some degree comforting), but you lose a lot of what make the books worth reading in the first place.

Parable of the Sower

Parable of the Sower by Octavia E. Butler (1993) Considered a science fiction novel, it happens to be set in 2024 and a few years beyond that—so that’s interesting—and can feel terrifying, in that the world portrayed seems more possible with each passing year. If I’d have read this when it came out, in the early 1990s, I’d probably have thought the same thing, though, as it’s about society collapsing, and that’s what the world has looked like my whole life. As graphic and brutal as it is, I found it to be hopeful in a lot of ways, and that’s necessary to not just feel depressed. I was immediately drawn to the narrator, a 15-year-old (at the start of the book) girl named Lauren who suffers from hyper-empathy syndrome, so that she acutely feels the pain of others. This is a great device, as it makes it almost impossible for her to protect herself in a world in which she might need to use violence just to survive. After her family is killed, she heads north, hoping to reach a place where the social structure might still be intact, if only because of more space, more clean water, and the promise of paid work—though no one really knows. As she travels with the couple of survivors from her community, they pick up fellow travelers on the way. Lauren is somewhat of a visionary, as she is developing a particular religions philosophy based on the idea that God is change. You have to think that this is what must keep her going—along with a natural skill for survival—in spite of the incredible grief she must feel, after losing her family, and the seemingly hopelessness of the world around them. The clear, observant voice of her narration feels as positive and hopeful as could possibly emerge from such dire situations, and I found myself less freaked out, eventually, and more calmed—with faith that she might survive and even start over somewhere, sometime.

White Noise

White Noise by Don DeLillo (1985) I saw some news that a movie is being made based on this novel, so I wanted to reread it before seeing it. I’m pretty fascinated to see what the approach will be. I first heard of it when I was in New York, the year it came out, and people were talking about it. I was working at the Strand Bookstore, and one day I was watching the rare book room, and Shel Silverstein was shopping. A couple of yuppies spotted him and started in on the small talk, and how every time they heard fluorescent lights humming, they now thought of the book, White Noise. He was polite, but I sensed an internal cringing. So, for a long time, whenever I thought of this book I thought of that incident. The book made a big impression on me, but I forgot the details, so it was worth rereading. What immediately comes to mind is both how dated it is, and how dated it isn’t—if that makes sense. A lot of the details (tons of popular culture references) now seem of the past—which might inspire nostalgia, or bad memories, or even seem quaint—but the sense of dread is still there, and it is as relevant to contemporary times as can be. I guess fear, overwhelmingness, confusion—and particularly the fear of death—are pretty timeless subjects. Also, it’s very funny—and it’s still just as funny to me—though maybe not in as eye-opening a way—as when I first read it. One particularly interesting thing is the obsession with tabloids—an ongoing theme, throughout. I almost had to stop and remember what a tabloid was—even though they are still there at grocery store checkouts, right? I have ignored them for so long, I guess, to almost make them disappear from my world. Of course, the internet has taken up the slack—and now, I suppose, people are either inundated with the tabloid insanity via their computers and phone—as well as the paper ones—one or the other—or both. It’s a societal disease we can’t seem to get rid of.

The Mystery Man

The Mystery Man by Scott Corbett (1970) Scott Corbett is one of my favorite children’s book authors, especially for mysteries (some involving treehouses, boats, or both), though he wrote a variety of books—he really cranked them out. You can still find his books in used bookstores. I’d never read this one. It starts out a little odd and slow, and it takes place in a very limited location and time period, with few characters—almost as if it were a play. It feels a bit claustrophobic at first, but once the mystery gets underway, we forget that. A high school age boy, Tod, is recovering from an appendectomy, staying at his Uncle Gary’s seaside inn at the beginning of summer. He’s not totally stuck inside, but he can’t really go adventuring. A mystery is presented, involving an eccentric, old, radio personality known as The Mystery Man, who is a regular for breakfast at the inn, and a friend of Uncle Gary. A few extremely unpleasant characters then visit the inn and are part of the mystery—which is about a coded message and a hidden fortune. It’s one of those mysteries that the reader gets pretty much the same information as the main character, Tod, but the solution is not the least bit obvious—and its solution turns out to be fun and satisfying.

What I Talk About When I Talk About Running

What I Talk About When I Talk About Running by Haruki Murakami (2008) As a fan of Haruki Murakami, I was trying to decide which of his many, many books to read next—and I saw this memoir from awhile back, so I thought I’d check it out in the meantime, and I found it kind of irresistible. Well, I figured he would talk about running, and as someone who used to run (it was a huge part of my life), I figured I might relate. Plus, I thought about taking it up again, as the pandemic closed the gyms, if my knees could hold out. I was hoping, as well, that he would talk somewhat about writing, because there is nothing I like more than writers talking about writing. So, I was pleased that he went through his history, how he started writing, his early success, etc. Fun to hear that stuff, and also about his approach to it, generally. But mostly the book is about running, and there is a lot about training for, and running, marathons. Even when I ran a lot, I never ran a marathon—and I know it got to be trendy, and a lot of people have—but it still sounds like a special accomplishment. But he also ran this ultramarathon, which sounds a little insane—extreme—but it’s interesting to hear him describe the whole experience. I always had a lot of philosophical thoughts on running, and it’s nice that some of my feelings about it line up with his.

Mystery of the Hidden Book

Mystery of the Hidden Book by Helen Fuller Orton (1953) A friend saw this book in a thrift store, and I considered picking it up before I realized I already owned it—I have an indestructible copy with a library binding from Red Wing, MN. The illustration on the cover is two kids and a dog looking through a bookshelf—it’s kind of irresistible. A pretty good premise, too—the kids are helping a neighbor (who is detained, out of town) by looking for a book in his house that might be in a secret hiding place, in a secret room. There is nothing I like better than secret rooms. You would think there would be more secret rooms in real life, but whenever someone buys a house, it seems like they suddenly become averse to implementing a secret room. (Could it be they have put in a secret room, but are keeping it… secret?) But I guess that’s why there are so many secret rooms in movies and books—maybe they’re better in fiction. The unfortunate thing here is that this is not the most inspired children’s book writing—and in some cases is just sloppy, unfocused, and repetitive to a maddening extent. I know that’s pretty much a standard thing with children’s fiction, the use of repetition—like you really need to hammer ideas in the little brains by force (which I don’t agree with). Sometimes it seems like authors are just desperate for word counts, I don’t know. For someone who is overly tolerant of shortcomings of kid’s books—and this one did have a lot of fun stuff in it—I mostly found myself a bit critical.

The Black Olive Pizzeria

The Black Olive Pizzeria by J. Scott Russell (2022) A children’s book about a family that opens a pizzeria in a small town—and a story that certainly can be enjoyed by adults, but then, as an avid reader of children’s books, I admit I don’t generally differentiate. The story is told from the point of view of the kid in the family, whose father is a bit of a dreamer, and whose mother is more practical, but supportive. The father decides to open a pizzeria that sells exclusively pizza topped with black olives. Now, knowing what picky eaters my friends are (many of whom have never even tried a raisin, much less black olives or escargot), it’s obvious that this is a risky proposition—and the father is somewhat uncompromising. The one thing he has going for him is that the pizza is very, very good—that and perseverance, patience, and belief in his vision (all musts for new, small businesses). That there is an older, beloved Italian restaurant across the town square doesn’t help matters, but they decide not to “go to the mattresses,” and instead, support each other—a good example for all.

Turn, Magic Wheel

Turn, Magic Wheel by Dawn Powell (1936) I’m guessing this story takes place in the Thirties (it was published in 1936) and it’s set in New York, amidst a literary scene that I can’t help feeling somewhat nostalgic about, even though it’s 100% satirical, and at some points fairly cruel. I imagine it came off a bit nastier at the time—when the subjects of ridicule might have more recognized themselves. And time might have softened it a bit, so a present-day reader might easily feel nostalgia—maybe because it’s New York—which takes on a timeless quality—always immensely different, of course, but always remarkably the same. I mean, the Thirties is now nearly a century ago, yet it also feels remarkably current, or I suppose timeless—in that people will always be fools and always be struggling. The main character is a novelist named Dennis Orphen who has written a book which, in part, apparently makes fun of a hugely popular writer, Andrew Callingham, who has been off in Europe for years. Dennis has had some kind of relationship with the Callingham’s ex, Effie, in order to get material, but of course, over time, he’s become immensely fond of her. He’s also having an affair with a married woman named Corinne, whose husband is hilariously dull. The woman who Callingham left Effie for has returned to New York, suffering from a terminal illness, and Effie becomes oddly protective of her. So much of the book is like an immense soap opera, but it’s so twisted, and the characters oddly likeable despite their actions—I found it thoroughly satisfying, and a lot of fun. I especially liked the subplot involving Dennis’ publishers, MacTweed and Johnson—for me, the funniest part of the book.

Giovanni’s Room

Giovanni’s Room by James Baldwin (1956) The story of a love affair between an American man and an Italian man (Giovanni) in Paris, 1950s. The story is somewhat tragic, as the American man, David, eventually rejects his lover—and ultimately Giovanni is imprisoned for murder and executed. As much as the specifics of the story are based on some really well-drawn characters—David (the narrator), Giovanni, some French characters, an American woman David has an affair with, and David’s fiancé—the novel as a whole has a universal scope that might be relatable to your own experience—regardless of sexual orientation, gender, race, nationality, and time period. It is a detailed and intense examination of relationships, obsession, and most specifically love. One of the main questions facing the narrator is whether he has experienced love or not, and if he ever well. I suppose as it’s written—there is true love between him and Giovanni, but the affair is so fraught and doomed, it’s hard to ever feel comfortable with the few moments of happiness. The story is framed around the imprisonment and execution of Giovanni, so we never really feel any hope. You also don’t feel much hope for the narrator’s relationship with his fiancé, when she finally arrives on the scene. It’s one of the most vivid portrayals I’ve ever read of a person involved in a relationship they really don’t want to be in—with a kind of dark humor, but also heartbreaking. When the novel was written—the mid-Fifties—the depiction of David’s bisexuality might have been shocking to some readers, in that it’s presented in a straightforward way, rather than in code, with symbols and allegory. I understand that Baldwin’s publisher even rejected the book, forcing him to take it elsewhere. Trying to put in context what I like about James Baldwin—from what I’ve read by him, and from old, filmed interviews—I think it’s similar to the feeling of a friend who always keeps you guessing a little. I mean, challenging you to do a little more thinking than you do with the easy answers and common takes on stuff—like whenever you think you know his take on anything, he’s going to surprise you by adding complexity, or taking things to a bit higher level.

Behind the Green Door

Behind the Green Door by Mildred A. Wirt (1958) Book number 4 of the Penny Parker mystery series. I’d never read a Penny Parker book—they’re not as easy to find as some series books—especially the old ones with dust jackets and some really fantastic cover art. I believe what I read was the revised version, rather than the 1940 original. I wasn’t expecting much, but I had to find out what this “green door” was all about—a speakeasy? A sex club? Penny is so brave—you might call her reckless—she’s nearly killed at couple of times, and she gets so beat up (mostly from skiing and sledding accidents) that it’s kind of comical. She makes a new friend, a daredevil skier named Sara, who is practically her match, for daring. The bad guys in this story, despite their wealth, power, and ruthlessness, never really have a chance—but the story is no less suspenseful, knowing that. I’ve read several different series book episodes written by Mildred Wirt, and this is my favorite, so far. I may well read more Penny Parker. The adventure takes place during winter holidays at a very snowy, mountainous ski resort, so this is particularly good one to read around Christmas, or maybe in the summer if you want to cool down with a little time traveling.

The Comedown

The Comedown by Justin Marks (2020) Whether it’s a single poem, a collection of poems, a confession in disguise, or a novel comprising all-of-the-above, this book—as it is in equal parts disturbing and life-affirming—keeps you guessing from the first line (“As a person I’m a fiction”) to the eerie back cover. Well, the front cover, as well—a photo that was never far from my mind—it seems to depict lifeguards on a beach, in the fog—I doubt if they can see the water’s edge—though they likely can hear cries for help. Readers might hear cries for help in the text—not me, particularly—as there’s something about the accomplishment of the whole that implies strength—and perhaps hope—and maybe even victory (no matter how misguided that might be). As I became enmeshed in this book, the words spooling out as if from a mysterious someone you’re getting to know, I initially reacted against the huge variety of formatting choices—the way words are placed on the page, and so forth—but that kneejerk rejection contrasted intriguingly with the love I felt after actually reading each section. Though, sometimes it wasn’t love—it was revulsion and fear—you know, same thing. Everything that I read makes me a different person, but some things more than others. In this case, I think, quite a lot. I’m not going to say what it’s about—on the surface, or perceived—or whether I think it is poetry as memoir, or memoir as fiction, or fiction as poetry, but it brings up a lot of questions—basic ones like, how can a mere mortal survive watching their children face the world? And how can a sane person get up in the morning? No answers, but then, I don’t trust answers—I love questions, because they lead to more questions—and that’s our infinite. If that sounds like sobriety talk, well that may be in here, too. Some of the poems/pieces/sections, taken on their own may seem slight, and sometimes obvious, but it all works together as a whole—the obvious parts and the beguiling, fitting together—and that’s its strength.

There Must Be Some Mistake

There Must Be Some Mistake by Frederick Barthelme (2014) After reading an earlier Frederick Barthelme novel I liked (Elroy Nights), I was looking forward to this one—but often that optimism doesn’t work out—so I was prepared for disappointment—but I liked this one even more. It was one of those books that, day to day, I looked forward to the next chapter—comforting in some ways, but always surprising. Being set in a condo community on the Gulf Coast of Texas—a locale that feels alienating to me—it took me a bit to warm up to the setting, but once I did, I was in. The main character is a single guy, just over 50—which is shorthand for that age and older—I could relate. There’s a really pleasing balance of nothing happening and too much happening, as well as a balance of the mundane and the absurd. I love the dialogue, which sounds to me the way people speak—funny, annoying, sweet, and sometimes totally off, wrong even, as if populated by space alien pod replacements. In my experience, that’s how people, in general, strike me. Maybe I’m the ideal audience for this book. Judging by books, movies, TV shows I’m aware of in our culture, maybe people want more, and more extreme—the grisly and the horrific. But isn’t there enough of that in the news? I like reading about people I can relate to, and like, more or less, and can put myself in their shoes. Not necessarily heroic, but not evil, either. And the book holds up right to the end—and you know how hard endings are.

The Voice in the Suitcase

The Voice in the Suitcase by Margaret Sutton (1935) Not my favorite Judy Bolton book, but then, there have been some good ones to live up to, and I imagine with any series there are ups and downs. Making a point to read them in order, too, takes the pressure off any given book—as they all work together as one extended whole. Not that this isn’t a good story, a good mystery—it is. Lots of crazy stuff going on. It’s mostly about the grandparents (and uncle) of Judy’s new friend, Selma, one of the poor kids in town, the mill workers. The mysterious suitcase with a voice coming from it is the oddity that drives the plot, to some degree. There are plenty of funny and odd events—once again, an aviation near disaster. And there’s the everyday horrors of staying in this truly rustic country house—where the girls have to deal with the eccentric older people, a shortage of food and comforts, and some kind of creatures running over Judy’s face as she sleeps. As usual, she’s brave and resourceful—you have to love Judy Bolton.